- (Crack the) Binary Code
- 2004 Australian Culture Now, ACMI
- 2006 Contemporary Commonwealth, ACMI
- A CONCEIT, RMIT Project Space
- Ada’s Spawn, Southgate
- Altered States; Psychotropic Visions and the digitally-corrupted gaze
- Alternative Realities, Ian Potter Gallery
- Anemone, FTI
- Anne Landa Award for Video & Media Art, AGNSW
- Art in the Age of Nanotechnology, John Curtin University
- Art Movement, UTS Gallery
- Art of the Biotech Era, EAF
- AvAtArs, dlux media arts
- Awfully Wonderful, Performance Space
- Beginning Middle End, ANU
- BIOFEEL, BEAP
- Biotech Art Revisited, EAF
- BioTechSex New Media Forum
- Burning the Interface
- Byte Me, Bendigo Art Gallery
- Catching Light, Campbelltown Arts Centre
- Code Red, Performance Space
- Coded Cloth, Anne and Gordon Samstage Museum of Art
- contagion, The Film Centre Wellington
- Craftivism, Arnolfini
- Cyber Cultures
- Cynema, An Interactive Playground
- Digita, Cyber-Fringe Binary Bar
- Domestic Disturbances, Experimenta
- Earwitness, Experimenta
- Elastic Light, SIN
- Empire State
- Empires, Ruins + Networks, ACMI
- First National Electronic Art Exhibition, Malaysia
- First Run, Bakery Artrage Complex
- fresh, PICA
- Fusion, St Kilda Film Festival
- Future Suture, PICA
- futureScreen, dlux media arts
- Game Masters, ACMI
- Garden of Forking Paths, dlux media arts
- GenderTopia, Teknikunst
- House of Tomorrow, Experimenta
- In Spaces Unsuspected, Adelaide Festival
- Interact Asia Pacific Multimedia Festival
- Interior Design - Music for the Bionic Ear
- LandSeaSky, MAAP
- Life 2.0, Artifice to Synthesis, RiAus
- Liquid Aesthetics, Midsumma
- Máquinas & Almas (Souls & Machines), Reina Sofia
- Manifesto, Experimenta
- Matinaze, SIN
- Memory Flows, UTS
- Metalux, SIN
- Mirror States, Campbelltown Arts Centre
- Mobile Journeys, dlux media arts
- Mousetrap, Melbourne International Film Festival;
- Mutable Landscapes, unSound
- National Digital Art Awards, IMA
- Networks (Cells & Silos), MUMA
- Nightshifters, Performance Space
- No Exit, AGNSW
- Orbital, Experimenta
- Out of the Body Encounters, EAF
- Parallel Universes, The Block, QUT
- Playground, Experimenta
- Plaything, dlux media art
- Premier of Queensland’s National New Media Art Award, QAG
- Present Tense, National Portrait Gallery
- Primavera, MCA
- Prospectus, blank space
- Prototype, Experimenta
- reactivate
- Recharge, Experimenta
- Rolling Stock, Wired Lab
- Screengrab, James Cook University
- short, sharp and very current, Experimenta
- Sonic Residues, ACCA
- Sound Studio, Performance Space
- Speak to Me, Experimenta
- Spectrascope, Sydney Biennale
- Spooky Action at a Distance, Black & Blue Gallery
- State of the Heart, ACP
- Stop(the)Gap
- Synthetic Times—Media Art China 2008, National Art Museum of China
- techné, PICA
- Technothelylogia, Monash University Gallery
- The Body Remembers, Experimenta
- The International Space Time Concerto Competition, University of Newcastle
- The Trouble with the Weather, UTS Gallery
- The Uncanny Valley, RiAus
- Total Nowhere Emotion Expansion, Brisbane Festival
- Trace Recordings, UTS Gallery
- Transfigure, ACMI
- Ultraviolet, Griffith Artworks
- Under the Radar, Experimenta
- Utopia Now, Experimenta
- Video Combustion, Performance Space
- Videodromo 1.5, 24HR Art
- Virogenesis, ANAT
- Viruses and Mutations, Experimenta
- Voiceovers, AGNSW
- Waste, Experimenta
- White Noise, ACMI
- Women on the Verge of New Technology, Cinematrix, Kulcha and FTI
- Wonderland-New Contemporary Art from Australia, Taipei Museum of Contemporary Art
Experimentation with added spark
image: Multi-channel sound installation by Abel Korinsky, Experimenta: Recharge
photo courtesy Korinsky Brothers
new media, new to china
image: Yves Netzhammer, Die Subjektivierung der Wiederholung/The Subjectivisation of Repetition, Project C
indigenous media art: complex visions 
image: Rebecca Belmore, The Named and the Unnamed, 2002, video installation, Collection of the Morris and Helen Belkin Art Gallery, The University of British Columbia
photo by Howard Ursuliak, © the artist
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article