editorial
festivals
Adelaide Fringe: the necessity of re-invention
Keith Gallasch: interview with Katrina Sedgwick
Composing miniatures, places, festivals
Keith Gallasch: interview with David Young, Artistic Director Next Wave Festival
LIFT: reformulating a festival
Aleks Sierz: interview with Lucy Neal & Rose Fenton
special features
Education & the Arts
Music education: an industrial evolution
Richard Vella & Andy Arthurs
Education & the Arts
Perils of performance pedagogy
Peta Tait
Body regimes
RealTime-Performance Space Forum
The theatre of war, the murder of bridges
Christine Evans in Belgrade
performance
B sharp and blunt
Kirsten Krauth: B Sharp, Four on the Floor
Barry Schwartz: dangerous beauty
Douglas Leonard
Chris Drummond: theatre as metaphor
Dickon Oxenburgh
David Pledger: the danger zone
Richard Murphet
Double Vision, strong focus
Daryl Buckley: Maryanne Lynch, Double Vision
More than the usual suspects
Caitlin Newton-Broad: Alicia Talbot & erth, Wild Knights
Performance art, life crisis rituals
Edward Scheer: Mike Parr, Water from the mouth
Picking at Emma's Nose: Flacco does Freud
Julian Meyrick: Company B, Emma's Nose: A Comedy of Eros
Sydney & Wollongong: atoms and fuel
Keith Gallasch: new performance
True blue at the local
Sarah Miller: Deck Chair Theatre, Black & Tran
Why be a playwright when the play is dead?
James Waites
dance
A body called flesh
Eleanor Brickhill: Tess de Quincey, Nerve 9
Champion & Whaites: dance theatres
Erin Brannigan
Dancing away with the Dendys
Erin Brannigan
New latitude for dance at the Powerhouse
Shaaron Boughen
Swan Lake with edge
Anne Thompson: ADT, Birdbrain
Taube, Ellis, McLeod & the uneasy body
Philipa Rothfield: Pervert
Winging it with style
Eleanor Brickhill: Tony Osborne & Andrew Morrish, Relentlessly On
visual arts
Exploding tears, hyperreal longing
Daniel Palmer: John Meade, Propulsion
PVI collective: they're watching you
Bec Dean
Stepping into the fold
Linda Marie Walker: Louise Haselton, Act Natural
The pull of the volcano
Gretchen Miller: Maria Miranda & Norie Newmark, Volcano
The quiet archaeology of Neil Roberts
Zsuszanna Soboslay: The Collected Works of Neil Roberts
sound/music
Don't go with the flow
Jonathan Marshall: Chases Through Non-Place
Inside the hurdy-gurdy
Chris Reid: Stevie Wishart & Joan Grounds, Domus 3
Myth, word, aesthetic recycling
Alistair Riddell: ChamberMade 2001: from the lip, Concert No.2
Of ears and vampires
Sue Moss: IHOS & Graeme Leak, Happy New Ears
+onscreen
film & screen culture
A (filmic) space between black & white
Jane Mills
Cinesonic 4: bringing sound to the surface
Bruce Mowson
FedFest: short film reconciliations
Alex Hutchinson
Kumarangk 5214: this island is full of bodies
Teri Hoskin
OnScreen editorial: boundaries without fences
Kirsten Krauth
Sydney Film Festival: a handful of high/lowlights
Simon Enticknap
Sydney Film Festival: one for the gleaners
Kirsten Krauth
+onscreen media arts
d>art: shot through with data
Mitchell Whitelaw
Lev Manovich: how to speak new media
Daniel Palmer
Mezangelling language: net.wurked writing
New media arts, the NxT wave
Mary Jane Overall