editorial
online exclusive
in the loop
realtime news and advance word
in the loop
realtime news and advance word
festivals
venice biennale
the future now, minus nations
alexandra crosby: the 2009 venice biennale
online exclusive
fringe festival: roulette and reason
keith gallasch: 2009 melbourne fringe festival
making room for hope
keith gallasch: brisbane & melbourne festivals
special features
education and the arts: visual arts
arts business practice or practice based research?
peter anderson: artstart, era and the visual arts
education and the arts: music
new rules: the research game
dawn bennett: era, artstart and music education
education and the arts: media arts
positive initiatives, problematic implications
lisa gye: era, artstart & media arts responses
education and the arts: film and tv
period of adjustment
tina kaufman: creativity, assessment & screen production education
education and the arts
reform, reinvention & the education revolution
sarah miller
education and the art: performance
creative release, creative limits
maryrose cuskelly: era, artstart & the performing arts
performance
calling the shots
virginia baxter: heidrun löhr, archive project
comeout 09: artful reciprocity
jonathan bollen: restless dance theatre, unreasonable adults
condition red
keith gallasch: karen therese, the riot act
home improvements
andrew harper: terrapin puppet theatre
lie to me
keith gallasch: rosie dennis, fraudulent behaviour
observation and its relativities
john bailey: red stitch, ben ellis & ranters at full tilt
of tea and other fluids
marie-anne mancio, east end collaborations, london
the image that pierces
caroline wake: back to back & the necks: food court
under a spell
douglas leonard: zen zen zo, the tempest
dance
a mindful body-in-place
pauline manley: martin del amo, it’s a jungle out there
bangarra at 20: circle of connection
jeremy eccles: stephen page interview
embodying inner demons
bernadette ashley: dancenorth, nowhere fast
matchbox magic: dance as film
jonathan marshall: daniel belton, nz choreographer & filmmaker
visual arts
online exclusive
new growth, new directions
josephine skinner: primavera 2009, museum of contemporary art
online exclusive
the nurturing of chinese photography
dan edwards: rong rong interview, beijing
chinese photography: out of the shadows
dan edwards: beijing’s three shadows photography art centre
politics & art: direct engagement
jacqueline millner: there goes the neighbourhood, performance space
risks with self and stranger
darren jorgenson: pica’s intimate acts
sound/music
online exclusive
abela in china
gail priest: interview, lucas abela
online exclusive
global transmission in progress
tony reck: nest of cinnamon
online exclusive
new, new music for sydney
keith gallasch: chronology arts
online exclusive
sonic insights
urszula dawkins: come hither noise
architectural meltdown
tony osborne: liquid architecture 10, sydney
mind-reading in the 21st century
chris reid: chesworth & leber’s space-shifter
sound, image & their ghosts
greg hoooper: liquid architecture 10, brisbane
stockhausen: visions of light
simon charles: a day of light at the con, smart light festival
that was shit!
gail priest, dan edwards: lucas abela’s rice corpse
the art of sonic curation
chris reid: liquid architecture 10, melbourne
+onscreen
film & screen culture
online exclusive
sydney's mean streets
kirsten krauth: serhat caradee’s cedar boys
online exclusive
taboo teen territory
kirsten krauth: rachel ward’s beautiful kate
eddie & charlie, kings of the road
keith gallasch: richard j frankland’s stone bros
figuring motion: a 20th century artist for the 21st
danni zuvela: len lye at acmi
nationalistic fervour & metaphysical reverie
tom redwood: 2009 russian resurrection film festival
the man in the malkovich mask
kirsten krauth: jm coetzee’s disgrace, book and film
tricks and treats
simon sellars: melbourne international animation festival
+onscreen media arts
d emoshnl pwr of d txt msg
jeremy weinstein: larissa hjorth, cu: the presence of co-presence
online life, downside and up
oscar michaels: ondi timoner, we live in public