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realtime 62

Aug-Sept 2004


Still Angela: national tour
Alaska in my freezer
Virginia Baxter talks to Jenny Kemp

Education Feature: Theatre
Education Feature: Acting—the bigger picture
Jane Woollard

Education Feature: Performance
Education Feature: The evolving performer
Keith Gallasch talks to Karen Therese

Absurdly real
Sarah Miller

Memories and micro-worlds
Sarah Neville

The deceptive art of manipulation
Sue Moss

The fun of fakery
Bryoni Trezise

Theatre of the face
Jonathan Marshall

Thinking inside the sqaure
Sue Moss

Whose happy ending?
Josephine Wilson


Education Feature: Dance
Education Feature: In the bones...
Eleanor Brickhill

Between violence and the inviolable
Zsuzsanna Soboslay: Wendy Morrow, Blue (excerpt)

Bodies of meaning
Melinda Rose Jewell: Rakini Devi, Kali Yuga

Dancing the labyrinth
Richard James Allen: Sue Healey, Fine Line Terrain

Embracing profusion
Eleanor Brickhill: De Quincey Co, Embrace: an immodest green

Fast tracking young NT dance
Joanna Barrkman: Tracks, FAST

Muderous perspectives
Eleanor Brickhill: Jason Pitt, Inasmuch

Restless men
Helen Omand: Restless Dance Company, Laminex Man and Starry Eyed

The body always tells
Linda Marie Walker: Australian Dance Theatre (ADT), Ignition 5

The interactive dancer
Leah Mercer: Chrissie Parrott, Dis-Patch

visual arts

Education Feature: Visual Arts
Education Feature: Reciprocal relations and the art of the possible
Su Baker

Biennale of Sydney
Bad feelings, sporadic beauties
Jacqueline Millner

Another way to be
Ian MacNeill

Asian traffic: redirecting the flow
Chris Reid

Curiouser and curiouser
Zsuzsanna Soboslay

Envisioning a new education
Tamara Winikoff

Video: medium of the moment
Rachel Kent