Rainer Mora Mathews, Dead Lions |
Woven into this narrative is a series of archetypal myths from the Jewish and Western European tradition that reflect on ancestral relations. The comic form, which is a key creative paradigm for Mora Mathews (“this is not a novel nor a storyboard for a film”) enables a visual progression through which the ancestors or ‘dead lions’ take shape in the background, becomingly increasingly involved with the ‘live’ action in the foreground. This isn’t visual philosophy of the ‘Freud for Beginners’ variety but the telling of stories in ways that elicit philosophical reflection. The fusion is understandable. Mora Mathews’ mother, Freya Mathews, is one of Australia’s leading eco-philosophers. His father, Philippe Mora, the filmmaker, once drew comics, and his grandmother, Mirka Mora’s paintings seem strongly influenced by the comic form. Rainer Mora Mathews has hibernated north of Bendigo for the past 6 months, finishing his opus. Dead Lions is an epic of the Euro-Australian experience.
RealTime issue #57 Oct-Nov 2003 pg. 34
© Richard Murphet; for permission to reproduce apply to [email protected]