12 Australian Choreographers
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stephen page

Born in Brisbane, Stephen Page is a descendant of the Nunukul people and the Munaldjali clan of the Yugambeh tribe from southeast Queensland. He was appointed Artistic Director of Bangarra Dance Theatre in 1991 and has created 12 new dance theatre works for the company.

Page has developed Bangarra’s distinctive performance style drawing on over 60,000 years of Aboriginal culture and translating the traditional stories, music and dance into a contemporary theatrical experience. Memorable Bangarra works—Ochres, Skin (Best New Australian Work and Best Dance Work, 2001 Helpmann Awards), Bush (Best Dance Work, 2004 Helpmann Awards), and Mathinna (Best Dance Work and Best Choreography, 2009 Helpmann Awards) have become milestones in the Australian performing arts.

Stephen Page choreographed Rites to Stravinsky’s score for The Rite of Spring in a collaboration between Bangarra and the Australian Ballet. He also directed Indigenous sections for the 2000 Sydney Olympic Games Opening and Closing Ceremonies, was Artistic Director of the Adelaide Festival of the Arts in 2004, directed Page 8, the solo performance by his brother David Page for Company B and in 2010 choreographed Rachel Perkins’ film Bran Nue Dae.

In 2010, Stephen Page was also honoured at the prestigious Australian Dance Awards for his Services to Dance and accepted Bangarra Dance Theatre’s award for ‘Outstanding Performance by a Company’ for their 2009 work Fire: A Retrospective, presenting the signature works from Bangarra’s repertoire. He went on to accept the Helpmann Award for Best Choreography (Fire) and a further two awards for the company: Best Ballet/Dance Work (Fire) and Best Regional Touring Production (True Stories).

In 2008 Stephen was named NSW Australian of the Year in recognition of his efforts to bring cultures together through the performing arts and his commitment to mentoring young Indigenous artists. (Text courtesy of Bangarra Dance Theatre.)

works by stephen page


taking up the fight
karen pearlman, realtime 25, june-july, 1998

bangarra at 20: circle of connection
jeremy eccles, realtime 92, august-september, 2009

articles/reviews: other works by stephen page

corroboree, 2003
the monaco dance forum: everything and more
erin brannigan, realtime 53, february-march, 2003

bush, 2003
bangarra culture
erin brannigan, realtime 54, april-may, 2003

rush, 2004
adelaide festival 2004: triple bill
helen omand, realtime 60, april-may, 2004

kin, 2007
moving and shaking
sophie travers, realtime 62, december 2007-january 2008

fire, 2009
dance bites
keith gallasch, realtime 94, december 2009-january 2010

bloodland, 2011
australian stages on the page
keith gallasch, realtime 100, december 2010-january 2011

waramuk, australian ballet, infinity, 2012
something borrowed, something true blue
varia karipoff, realtime108, april-may 2012,

clan 3, 2013
the strengths & limits of form
erin brannigan, realtime issue 119, february-march, 2014

patyegarang, 2014
the intricacies of dance and history
vicki van jout, realtime issue 122, august-september, 2014

Thumbnail: Elma Kris, Patrick Thaiday, Mathinna, Bangarra Dance Theatre, photo Jeff Busby