- world of water
keith gallasch: interview, suzon fuks, waterwheel
http://www.realtimearts.net/magazine/104/10395 - sharing and remixing via the abc
dan mackinlay: the abc’s pool
http://www.realtimearts.net/magazine/87/9182 - The art of performance: online and alive
A conversation between Barbara Campbell and Cynthia Troup about 1001 nights cast
http://www.realtimearts.net/magazine/73/8132 - Building an Australian networked future
Melinda Rackham
http://www.realtimearts.net/magazine/67/7884 - Media beyond The Media
Andrea Baker
http://www.realtimearts.net/magazine/62/7543 - The public face of online interaction
Lizzie Muller
http://www.realtimearts.net/magazine/62/7508 - Ciber@rt, Bilbao: casting a wider net
Maria Miranda
http://www.realtimearts.net/magazine/62/7506 - Re-mapping the world
Keith Gallasch
http://www.realtimearts.net/magazine/59/7355 - da Rimini and Tonkin: the viewer at work
Teri Hoskin
http://www.realtimearts.net/magazine/54/7056 - Making art, opinion, money
Keith Gallasch
http://www.realtimearts.net/magazine/51/6863 - Michelle Glaser: writing digital art
Felena Alach
http://www.realtimearts.net/magazine/48/6363 - New voices, other aesthetics
Douglas Leonard
http://www.realtimearts.net/magazine/46/6159 - A view from the bleeding edge
Paul Brown, Consciousness Reframed 2000
http://www.realtimearts.net/magazine/40/5608 - Superfluous sex at Ars Electronica
Melinda Rackham
http://www.realtimearts.net/magazine/40/5591 - Segue, stretto, strafe & sashay
Dean Kiley
http://www.realtimearts.net/magazine/38/5414 - Exposing an emerging genre
Kaz Madigan
http://www.realtimearts.net/magazine/37/5470 - My viral lover
Mitchell Whitelaw interviews Melinda Rackham
http://www.realtimearts.net/magazine/37/5466 - The dirt on the Dream Kitchen
Joni Taylor
http://www.realtimearts.net/magazine/37/5465 - Missile: Shanghai N.2
Jason Sweeney
http://www.realtimearts.net/magazine/34/11092 - Missile: CONTACT
Grisha Dolgopolov
http://www.realtimearts.net/magazine/34/11091 - New media hum
Mike Leggett enters the hive of international digital media/web artists ≈and Jane Prophet
http://www.realtimearts.net/magazine/33/5169 - Works in progress: pt3 (R-Z)
Rackham, Richards, Rothwell, Sag & Cooper, Samartzis, Seevinck, Sweeney, Tham, Thomas, Tonkin, Waterson & Sabiel
http://www.realtimearts.net/magazine/32/5084 - Works in progress: pt1 (A-L)
Barker, Benson, Carroli & Wilson, Cmielewski, geniwate, Glaser, Hutchinson & Xavier, Hoskin, Johnston, Kaye, Kocsis, Kreckler, Le Cappellaine, Leggett, Lerner
http://www.realtimearts.net/magazine/32/5079 - Works in progress: pt2 (M-P)
Mew, Miranda, Munster, Petterd, Petrovitch, Pierce, Proebsting, Pryor
http://www.realtimearts.net/magazine/32/5072 - Eyeing the interface
Teri Hoskin tries out diagnostic tools for anxiety & love in the new millennium
http://www.realtimearts.net/magazine/31/4971 - Die Trekkie die
Phil ‘unenlightened’ Brophy disputes digital at Ian Haig’s Web Devolution
http://www.realtimearts.net/magazine/29/4868 - Net art and the argument for critical decompression
Letters
http://www.realtimearts.net/magazine/28/4804 - Unstuffed
The AFC’s <stuff-art> program compels Kevin Murray to consider the future of art on the net
http://www.realtimearts.net/magazine/27/4722 - Disconnecting the larynx
Mike Leggett on Being Connected at the AFC’s multimedia conference
http://www.realtimearts.net/magazine/26/4375 - Archiving the digital
Sarah Miller spends time with Arts_Edge at the Art Gallery of WA
http://www.realtimearts.net/magazine/25/4320 - The body interrogated
Kathy Cleland is eXXXamined at Artspace
http://www.realtimearts.net/magazine/24/4176 - Web crud
Ian Haig digs the dirt on the www
http://www.realtimearts.net/magazine/19/4551 - Virtually Stelarc
Boris Kelly
http://www.realtimearts.net/magazine/11/6061 - Art and the Mundane Internet
Chris Chesher
http://www.realtimearts.net/magazine/8/6696
Die Trekkie die
image: Ian Haig, Web Devolution, 1998
world of water 
image: Waterwheel interface
A view from the bleeding edge
image: Melinda Rackham
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article