Did we dream this? Keith Gallasch and Virginia Baxter examine crime scenes at Sydney’s Police and Justice Museum and the Australian Centre for Photography
http://www.realtimearts.net/magazine/34/11089
Blood on the keys Joni Taylor enters Linda Dement’s In My Gash CD-ROM
http://www.realtimearts.net/magazine/34/5354
The Wetware season Mike Leggett reports from The NxT Mutimedia Symposium in Darwin
http://www.realtimearts.net/magazine/34/5353
New media hum Mike Leggett enters the hive of international digital media/web artists ≈and Jane Prophet
http://www.realtimearts.net/magazine/33/5169
Works in progress: pt3 (R-Z) Rackham, Richards, Rothwell, Sag & Cooper, Samartzis, Seevinck, Sweeney, Tham, Thomas, Tonkin, Waterson & Sabiel
http://www.realtimearts.net/magazine/32/5084
Works in progress: pt1 (A-L) Barker, Benson, Carroli & Wilson, Cmielewski, geniwate, Glaser, Hutchinson & Xavier, Hoskin, Johnston, Kaye, Kocsis, Kreckler, Le Cappellaine, Leggett, Lerner
http://www.realtimearts.net/magazine/32/5079
Works in progress: pt2 (M-P) Mew, Miranda, Munster, Petterd, Petrovitch, Pierce, Proebsting, Pryor
http://www.realtimearts.net/magazine/32/5072
Digital rules! Michael Hill is engaged by D.art 99 at the Sydney Film Festival
http://www.realtimearts.net/magazine/32/5015
Disconnecting the larynx Mike Leggett on Being Connected at the AFC’s multimedia conference
http://www.realtimearts.net/magazine/26/4375
Archiving the digital Sarah Miller spends time with Arts_Edge at the Art Gallery of WA
http://www.realtimearts.net/magazine/25/4320
The video art beyond John Conomos interviews Rudolf Frieling, a curator at ZKM in Germany, a featured guest at this year’s Sydney Film Festival
http://www.realtimearts.net/magazine/25/4287
The aniconic and digital image Heather Barton rethinks the spiritual and soft space in Malaysian New Media Arts at the First National Electronic Art Exhibition
http://www.realtimearts.net/magazine/23/4206
Barroom fantasias Deane Kiley does Digita at Melbourne’s Cyber-Fringe Binary Bar
http://www.realtimearts.net/magazine/22/4247
bit.depth New CD-ROMs prompt thoughts on interactivity and the critical act from Jonathon Delacour
http://www.realtimearts.net/magazine/21/4439
The Inside of Houses Lisa Gye, Bronwyn Coupe, Interactive CD-ROM, e-media, Melbourne
http://www.realtimearts.net/magazine/20/4516
techné cultures Mike Leggett scans cyber expositions east and west
http://www.realtimearts.net/magazine/18/4596
Curiouser and curiouser Lisa Gye in search of the experimenta media arts festival
http://www.realtimearts.net/magazine/17/4639
Playing in the labyrinth Trish Fitzsimons visits the CD-ROM component of the Brisbane International Film Festival
http://www.realtimearts.net/magazine/15/5266
At the time and space of interface Virginia Baxter and Keith Gallasch do the interactive at Burning the Interface, Cybercultures and No Exit
http://www.realtimearts.net/magazine/13/5805
Critically interactive Previewing the Museum of Contemporary Art’s Burning the Interface, John Conomos demonstrates artists’ challenge to prevailing multimedia myths
http://www.realtimearts.net/magazine/11/6056
Thinking about killing Nic Beames interviews visiting UK multimedia artist Graham Harwood
http://www.realtimearts.net/magazine/10/6121
Emergent media zones McKenzie Wark tunes his aerials to the information superhypeway
http://www.realtimearts.net/magazine/5/6562
North to Cyberia John Potts reports on the Fifth International Symposium on Electronic Arts (ISEA) held in Helsinki
http://www.realtimearts.net/magazine/3/6476