- come feel the noize
darren tofts: book review, hillel schwartz, making noise
http://www.realtimearts.net/magazine/112/10922 - capturing the ephemeral
erkki huhtamo: stephen jones, synthetics: aspects of art and technology in australia, 1956-1975
http://www.realtimearts.net/magazine/107/10553 - the real amerika
lisa gye: mark amerika’s remixthebook
http://www.realtimearts.net/magazine/107/10548 - writing the voice
gail priest: voice: vocal aesthetics in digital arts and media
http://www.realtimearts.net/magazine/103/10345 - the persistence of letters
john potts: esther milne, letters, postcards, email: technologies of presence
http://www.realtimearts.net/magazine/100/10109 - history by the history-makers
stephen adams: book review, experimental music
http://www.realtimearts.net/magazine/93/9604 - british computer art 1960-1980
stephen jones: review, white heat cold logic
http://www.realtimearts.net/magazine/93/9589 - how it came to this, explained in full
andrew murphie: scott mcquire’s the media city
http://www.realtimearts.net/magazine/88/9235 - between research, philosophy & documentation
barbara bolt encounters intimate transactions, the book
http://www.realtimearts.net/magazine/85/9037 - puns of the father
esther milne hooked by an ebook on ulmer
http://www.realtimearts.net/magazine/80/8649 - escaping into the hands of the enemy
christian mccrae on mckenzie wark’s gamer theory
http://www.realtimearts.net/magazine/80/8648 - extreme writing: digital lifestyle practice
andrew murphie on mark amerika’s meta/data
http://www.realtimearts.net/magazine/80/8647 - the converging of art history and media art
paul thomas reviews oliver grau’s MediaArtHistories
http://www.realtimearts.net/magazine/78/8572 - haunted machines & spooky ideologies
esther milne reviews potts & scheer’s technologies of magic
http://www.realtimearts.net/magazine/77/8372 - New Wark vectors
Darren Tofts talks books with McKenzie Wark
http://www.realtimearts.net/magazine/75/8221 - Art machine evolution
Mike Leggett
http://www.realtimearts.net/magazine/73/8130 - A grand tour of Australian media art
Lizzie Muller interviews Darren Tofts
http://www.realtimearts.net/magazine/71/8031 - Media arts: reflections for the future
Mike Legget
http://www.realtimearts.net/magazine/71/8030 - Book review: A potent internet pre-history
Esther Milne
http://www.realtimearts.net/magazine/70/7987 - Hybrid reading
Greg Hooper
http://www.realtimearts.net/magazine/68/7935 - Unnameable space
Josephine Wilson
http://www.realtimearts.net/magazine/64/7693 - A-life's mysteries
Stuart Bunt on Mitchell Whitelaw's Metacreation
http://www.realtimearts.net/magazine/60/7430 - A teledildonic future?
Kirsten Krauth
http://www.realtimearts.net/magazine/60/7378 - Science and the fear of 20th century art
Greg Hooper on Virilio's Art and Fear & Crepuscular Dawn and Pinker's The Blank Slate
http://www.realtimearts.net/magazine/60/7376 - Bringing the new media artist to book
Anna Munster
http://www.realtimearts.net/magazine/58/7302 - Naive desire and coffee table fetishism
Anna Munster
http://www.realtimearts.net/magazine/55/7089 - New Media: industry or ideas?
Mike Leggett
http://www.realtimearts.net/magazine/54/7048 - Thinking the body aloud
Jane Goodall
http://www.realtimearts.net/magazine/54/7046 - Conversations for the future
Ashley Crawford
http://www.realtimearts.net/magazine/54/7045 - Getting a grip on new media ephemerality
Lisa Gye
http://www.realtimearts.net/magazine/54/7044 - Cyberculture: big picture, deep perspective
Mitchell Whitelaw
http://www.realtimearts.net/magazine/54/7043 - Right place, right time?
Jean Poole reviews Future Active
http://www.realtimearts.net/magazine/51/6862 - Parallax resists cultural amnesia
Mitchell Whitelaw
http://www.realtimearts.net/magazine/37/5467 - Challenging the seer
John Schwartz tests the vision of McKenzie Wark’s Celebrities, Culture and Cyberspace
http://www.realtimearts.net/magazine/32/5023 - Millennial maverick
Ashley Crawford talks to Mark Dery about the gothic, the grotesque, ideas vs theory, and America
http://www.realtimearts.net/magazine/32/5022 - Okay, how is cyberspace like Heaven
Darren Tofts enters Margaret Wertheims’ pearly gates
http://www.realtimearts.net/magazine/31/4987 - The taste of data
Jane Mills chews over the AFC’s Get The Picture
http://www.realtimearts.net/magazine/31/4986 - TechGnosis - a secret history
Ashley Crawford in conversation with author Erik Davis
http://www.realtimearts.net/magazine/30/4926 - A techno-booster nano manifesto
Rowan Wilken reviews Neil Spiller’s Digital Dreams
http://www.realtimearts.net/magazine/29/4858 - Future (in)human: becoming third nature
McKenzie Wark reviews Darren Tofts and Murray McKeich’s Memory Trade: A Prehistory of Cyberculture
http://www.realtimearts.net/magazine/28/4781 - The future business
Michael Hill settles into the Transit Lounge
http://www.realtimearts.net/magazine/25/4285 - The archaeology of the interface
Darren Tofts applauds a new book demythologising interface history
http://www.realtimearts.net/magazine/24/4177 - I am papyrus, parchment, paper, computer screen
John Conomos looks into Regis Debray’s mediology
http://www.realtimearts.net/magazine/17/4658 - Personality problems
Greg Hooper reviews two artificial intelligence novels
http://www.realtimearts.net/magazine/17/4656 - Countering cyber desire
John Conomos reviews Mark Dery’s Escape Velocity (Hodder and Stoughton)
http://www.realtimearts.net/magazine/15/5270 - Literate ears
Mike Leggett reviews Kerckhove’s The Skin of Culture
http://www.realtimearts.net/magazine/11/6060 - Book Review: Apparition: Holographic Art in Australia
Jacqueline Millner
http://www.realtimearts.net/magazine/10/6131
how it came to this, explained in full
image: Modal Suspension, Relational Architecture 8, Yamaguchi, Japan, Rafael Lozano-Hemmer. Lozano-Hemmer is one of the subjects of Media City and will be a keynote speaker at the 2009 Adelaide Film Festival
photo by ArchiBIMing
Millennial maverick
image: Mark Dery
Science and the fear of 20th century art
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article