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realtime 60

April-May 2004

editorial



festivals



special features

Meta-Crash
A gigantic combusiton of forms
Anna Dzenis

Meta-Crash
A teledildonic future?
Kirsten Krauth

Meta-Crash
A-life's mysteries
Stuart Bunt on Mitchell Whitelaw's Metacreation

Meta-Crash
Collaboration or complicity?
Anna Munster

Meta-Crash
Ehtics and relatives
Jock Given on Catherine Lumby and Elspeth Probyn, Remote Control

Meta-Crash
No sex please, we're Australian
Katherine Neil on Helen Vnuk's Snatched: Sex and Censorship in Australia

Meta-Crash
Science and the fear of 20th century art
Greg Hooper on Virilio's Art and Fear & Crepuscular Dawn and Pinker's The Blank Slate

Meta-Crash
The beats go on
Seb Chan on Ian Maxwell's Phat Beats, Dope Rhymes

Meta-Crash
What cinema does
Hamish Ford

Merta-Crash
Prosthetic eye, performative camera
Mireille Juchau

performance

In for the kill
Jason Sweeney

In the web of the microcosm
Jonathan Marshall

The ambiguous power of naming
Jonathan Marshall

The Studio: eclectic and electric
Keith Gallasch talks with Virginia Hyam



dance

Dancing between two shores
Janice McEwen

Faltering Strut
Josephine Wilson: Pollit's Two Way: Room, Peacock's Give up the Ghost

Innovation as incarceration
Helen Omand: Fiona Malone, The Obcell

Permutations: sound, light, dance
Jonathan Marshall: Dance Card 2004

Tess de Quincey

Words for Escape
Francesca Rendle-Short: Tanja Liedtke, Tweflth Floor



visual arts

Comic insights
Briony Downes

Ghostings
Leanne Amodeo

History's great escape
Daniel Edwards

Jeff Busby: Amplification
Virginia Baxter

Motel dreams
Sarah Quantrill

Opening the cage door
Josephine Wilson

The jewellery of place
Christine Nicholls

The library without
Bridget Currie

What next?
Sally Brand