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realtime 18

April-May 1997

editorial

no content



festivals

no content



special features

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performance

no content



dance

Between the lines
Clare Dyson reads Cherry Herring’s Intimate Letters

Converging spaces and merging forms
Tony Osborne at Deckchair’s I am Nijinsky and ID339’s The Living Room

Dance actual and virtual
Eleanor Brickhill and Sue-ellen Kohler discuss Company in Space’s The Pool is Damned: Trial by Video and Garry Stewart’s Helmet

From the inside
Dancer Jane Diamond writes about the creation of a new work by Perth’s Fieldworks.

Into the unknown
Fiona McLean at Alice Cummins’ Broadcast Dancing

Material imagination
David Williams at rehearsals of Alison Halit’s To Run—Sand in Melbourne

Seen moves, silent power
Rachel Fensham ‘live’ at Company in Space’s The Pool is Damned

Six variations on a lie, Ros Crisp
Keith Gallasch



visual arts

no content

sound/music

no content



+onscreen
film & screen culture

no content



+onscreen media arts

From the ashes
John McConchie celebrates new media language

John Tonkin: man or morph?
Vicki Sowry reviews Elective Physiognomies and Elastic Masculinities

Matinaze '97

Sunshine site
Mary Gilliver outlines Brisbane’s eMedia event

techné cultures
Mike Leggett scans cyber expositions east and west