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realtime 137

Feb-March 2017

editorial

GIVEAWAY 15 FEBRUARY
DVD: Tanna

GIVEAWAY 15 FEBRUARY
TAO Dance Theater in ‘6’ and ‘8’
Two double passes, opening night, 22 Feb, Melbourne

Lauren Carroll Harris joins RealTime

THE LOOP
15 February 2017



festivals

SYDNEY FESTIVAL 2017
Aromatics of thought
Keith Gallasch: Cat Jones, Scent of Sydney

SYDNEY FESTIVAL 2017
Art at labour's limits
Nikki Heywood: Institute; Still Life

SYDNEY FESTIVAL 2017
Art takes on despair
Vicki Van Hout: Blood on the Dance Floor; Prize Fighter; Huff

SYDNEY FESTIVAL 2017
Beyond sadness
Katerina Sakkas: Myuran Sukumaran, Another Day In Paradise

SYDNEY FESTIVAL 2017
Cultures, words, lives, limits
Keith Gallasch: SHIT, Ich Nibber Dibber, The Season, The Encounter

SYDNEY FESTIVAL 2017
Dancing new lives
Keith Gallasch: EkosDance Company: Cry Jailolo; Balabala

SYDNEY FESTIVAL 2017
Remarkable musics
Keith Gallasch: five concerts

SYDNEY FESTIVAL 2017
Senses and causes
Nikki Heywood: Imagined Touch; Spectra

Asia TOPA
Performing Asia in & with Australia
Keith Gallasch: interview, Stephen Armstrong, Kate Ben-Tovim

Adelaide Festival: A work of art
Keith Gallasch: a preview of selected productions

Adelaide Festival: Presence and strength
Ben Brooker: Restless, Intimate Space; Gravity and Other Myths, Backbone

Music's ever evolving electronics
Chris Reid: Electronic music at MOFO

Supercell Dance Festival: Brisbane dances
Keith Gallasch: interview Glyn Roberts, Co-Artistic Director



special features

AIDC 2017: Transcending the news cycle
Dan Edwards: Guardian Documentaries at AIDC

Documentary in a virtual, post-truth world
Dan Edwards: interview, AIDC Director Andrew Wiseman

performance

SYDNEY FESTIVAL 2017
More than a bio-opera
Keith Gallasch: Sydney Chamber Opera, Biographica

A barbarian's right to difference
Renée Newman: Jo Randerson, Banging Cymbal, Clanging Gong

Another side of Mary
James Whiting: The Testament of Mary

Into the internet's black holes
Lauren Carroll Harris, zin, The internet is where innocence goes to die and you can come too

Shifting gravity's centre
Julie Vulcan: Venice International Performance Art Week

Undoing imagination
James Whiting: Opera Australia, King Roger

WOMADelaide 2017: Saving the musical mind
Ben Brooker: interview, Roysten Abel, Manganiyar Classroom



dance

SYDNEY FESTIVAL 2017
Dance is the game
Keith Gallasch: Form Dance Projects, Champions



visual arts

no content

sound/music

Lloyd Cole: the interacting synthesiser
Chris Reid: Lloyd Cole, Identity vs Noise: 1Dn



+onscreen
film & screen culture

The sweet smell of jalebi
Kirsten Krauth: Garth Davis' Lion



+onscreen media arts

Nam June Paik: bad video, poor performance
Philip Brophy, 10th Anniversary Retrospective of Nam June Paik