realtime 127

RT127
Editorial

BURNING ISSUE
Time for action!
Keith Gallasch: Arts Politics: 2015-16 Arts Budget

Giveaways RT127

URGENT: ACT NOW, SENATE ARTS INQUIRY
From the RealTime Editors

RT PROFILER 11, 22 JULY 2015
Art & healing on the streets of Ansan
Ansan Street Arts Festival, South Korea

REGIONAL
Art and a post-industrial town
Malcolm Whittaker: Cementa 15

PROFILER 10, 20 MAY 2015
On the line between earth and sky
Kirsten Krauth: Castlemaine State Festival

BODY IMAGE SCREEN
A treasure house of movement-led hybridity
Keith Gallasch, Interview, Carriageworks: 24 Frames Per Second, Co-Curator Beatrice Gralton

BODY IMAGE SCREEN
Body Image Screen - Introduction
Keith Gallasch

BODY IMAGE SCREEN
Democracy of the lens
Robyn Ferrell: AGNSW, The Photograph & Australia

BODY IMAGE SCREEN
Framing trauma, fear & love
Chris Reid: Adelaide Festival: Trent Parke, The Black Rose

BODY IMAGE SCREEN
Hope in and fear of the new
Cat Jones: SXSW Interactive

BODY IMAGE SCREEN
It’s the nature of play that makes gaming
Catherine Fargher: SXSW Interactive

BODY IMAGE SCREEN
Missing in action
Kathryn Kelly: Mira Oosterweghel, Unstable Moments

BODY IMAGE SCREEN
Performance art in the experience economy era
Ben Brooker: PP/VT (Performance Presence/Video Time)

BODY IMAGE SCREEN
Screen-dancing back the layers
Jodie McNeilly: 24 Frames Per Second: Lizzie Thomson, White Record

BODY IMAGE SCREEN
The body in the machine: the screen as performer
Andrew Fuhrman: Atlanta Eke, Body Of Work

BODY IMAGE SCREEN
The mining of image & metaphor
Urszula Dawkins: Eugenia Lim, Yellow Peril

WOMEN + PERFORMANCE 8
The feminine: monstrous, polite, tenacious
Bryoni Trezise: My Darling Patricia

REGIONAL
A dark dance of choice and chance
Judith Abell: Tasmanian International Arts Festival: Stompin, 6000 to 1

REGIONAL
Poets at risk
Kate Rotherham: Vivienne Walshe, This is where we live

REGIONAL
Site-specific, durational, regional Chekhov
Norie Neumark: La Mama, Uncle Vanya In Avoca

REGIONAL
When buildings sing
Judith Abell: Tasmanian International Arts Festival: Acoustic Life Of Sheds

FROM BELGIUM 3
Unburdened Australians in an adventurous mix
Jana Perkovic: For Your Ears Only; Into the Big World

Art bred from destruction
Stephen Carleton: Davide Fenton, Brian Lucas: Oscar Wilde’s De Profundis

Crazy Horse exposé
Ben Brooker: Vitalstatistix & STCSA, Madame

Mingling memories, signs & connotations
John Bailey: Melbourne Performance

Not your average primate
Rebecca Youdell: Centre For Australasian Theatre, This Fleeting World

Power game variations
Keith Gallasch: Endgame, Boys Will Be Boys, Grounded

RT PROFILER 9, 25 MARCH 2015
Dance & drawing: ways of seeing trace
Megan Fizell: interview with Todd Fuller

RT PROFILER 11, 22 JULY 2015
Inside the sounding of dance
Interview: Michael Dagostino, Campbelltown Arts Centre, I Can Hear Dancing

An alchemical progression
Jodie McNeilly: Raghav Handa, Tukre

Inimically Wright
Jonathan W Marshall: Douglas Wright, The Kiss Inside

Obituary: Maggi Phillips (1944-2015)

Without movement, no time
Urszula Dawkins: Jennifer Lacey, Gattica

A meeting of cultures through public art
Gail Priest: Nomanslanding

Art that illuminates the street
Interview: Kym Ortenburg & Yandell Walton, Gertrude Street Projection Festival

Emanations from the forest
Katerina Sakkas: Sculpture At Scenic World

Venice Biennale: the art of housing art
Lucy Hawthorne: Venice Biennale 2015

New music, digital culture & the big questions
Matthew Lorenzon: 2015 Metropolis New Music Festival

The body as ear
Gail Priest: Lawrence English, Room40’s Open Frame, Carriageworks

Trio: flight, death, earth
Keith Gallasch: Sydney Chamber Opera, Fly Away Peter

ON THE DOX
Documenting problems or documentary as problem
Dan Edwards: Hubert Sauper, We Come As Friends

A shift in the locus of fear
Katerina Sakkas: A Girl Walks Home Alone At Night

Horror: intensified but refined
Katerina Sakkas: It Follows

Suburban screen adventure
Keith Gallasch: Powerhouse Youth Theatre: Motion Pictures

AUDIOVISION 17
Talk about fucked up
Philip Brophy: Ryan Trecartin, Re’Search Wait’S