realtime 100

e-dition january 17
in the loop – january 17
realtime news and advance word

editorial - rt100

in the loop - rt100
realtime news and advance word

wtf
wtf are you doing in february?
douglas leonard: interview, andrew ross, world theatre festival

sydney festival 2011 & wtf
it always feels like the first time
panther: gob squad, sydney festival & world theatre festival, brisbane

sydney festival 2011
the creative suburb
gail priest: interview, rosie dennis, minto:live

mona foma
expanding the aural palate
gail priest: interview, brian ritchie, mona foma curator

melbourne international arts festival 2010
epiphanies and play
john bailey: melbourne international arts festival

melbourne international arts festival 2010
on the dyingness of things
jana perkovic: melbourne international arts festival

melbourne international arts festival 2010
the extra-ordinary
carl nilsson-polias: melbourne international arts festival

brisbane festival 2010 - under the radar
the underworld of performance
douglas leonard: under the radar, brisbane festival

brisbane festival 2010
questions of culture
douglas leonard: brisbane international arts festival

art via the arctic portal
urszula dawkins: the arctic circle artist residency

survival arts in new york
julieanne campbell: funding, foundations, philanthropy & alternatives

the future at our fingertips
zanny begg: tipping point australia, sydney

a childhood of theatre
bryoni trezise: chiara guidi, campbelltown arts centre

australian stages on the page
keith gallasch: 2011 theatre subscription series brochures

cross-cultural winners
keith gallasch: stc, uncle vanya, true west

fringe benefits
keith gallasch: the sydney fringe, 2010

maximising emergence
caroline wake: interview, cat jones, julie vulcan, pact

the artist performed & painted
caroline wake, belvoir and big hart, namatjira

the many modes of erasure
caroline wake: version 1.0, seven kilometres north-east, old fitzroy

spring dance 2010
dancing to the limit
martin del amo: spring dance 2010, international works

spring dance 2010
reflections on self and body
pauline manley: spring dance 2010

a line going for a walk
jonathan marshall: daniel belton’s line dances

australian dance history treasure chest
amanda card: alan brissenden & keith glennon, australia dances, creating australian dance 1945-1965

dance, strategically
keith gallasch: interview, madeline ritter, dance plan germany

making dance on the move
sophie travers speaks with balletlab’s phillip adams

work world upside down
pauline manley: branch nebula, sweat

individual aspirations, collective expectations
gail priest: arena—a post boom beijing, hazelhurst gallery

intimate warnings
chris reid: vocal thoughts, cacsa

opposing currents
ella mudie: the river project

risk & the politics of place
tessa laird: alex monteith, accelerated geographies

skate, create, destroy
laetitia wilson: suspended motion, the bakery

somnambulant sensing
tanya petersen: nightshifters, performance space

an unrelievable urge
matthew lorenzon: the itch, chamber made opera

putting sound into site
nigel helyer: no longer empty on the road, liverpool biennial

sound appropriates space
chris reid: johannes sistermanns

alternate-universe australia
jake wilson: tomorrow, when the war began; crook

editing: beyond intuition
anna dzenis: karen pearlman, cutting rhythms

memorial for a memorial
gail priest: richard baron’s documentary, lanfranchi’s memorial discotheque

new faces of the real
mike walsh: documentaries, toronto international film festival

art’s ghostly touch
nigel helyer: touched, fact, liverpool biennial

mind, play, empathy & machines
melinda rackham: seam 2010, agency and action

screen bleed
fiona mcgregor, bloodbath, bump projects, sydney

sounding the festival factory
gail priest: ars electronica 2010, linz

the persistence of letters
john potts: esther milne, letters, postcards, email: technologies of presence