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profiler nov 12, 2014

articles/reviews


RT Profiler 7
RT Profiler 7

RT Profiler 7 remembers Margaret Cameron, leading Australian actor, writer and director, with an obituary and archival links to reviews of her work. Plus, realtime tv interviews with artists Ken Thaiday and Kate McMillan, contributor profiles, and more.

Margaret Cameron, 1955-2014
Margaret Cameron, 1955-2014

A farewell with links to reviews of her work and her own "Art & care: where life and death connect."

The other side of Nightfall
The other side of Nightfall

Virginia Baxter's 2000 interview with Margaret Cameron and Ian Scott yields wonderful insights about the nature and demands of acting.

realtime tv: Ken Thaiday Senior
realtime tv: Ken Thaiday Senior

Renowned Torres Strait Islander artist Ken Thaiday talks with Keith Gallasch about his major exhibition, which showcases a range of his works, traversing dance, installation and kinetic sculpture.

realtime tv: Kate McMillan's Moment of Disappearance
realtime tv: Kate McMillan's Moment of Disappearance

Artist Kate McMillan discusses her work The Moment of Disappearance, an immersive landscape of sound and video that traces legacies of the Enlightenment to their colonial manifestation in Australia.

In Profile: André Lawrence, emerging curator
In Profile: André Lawrence, emerging curator

Chris Reid talks to emerging curator André Lawrence about 135th Meridian-East, a major exhibition of artwork by 14 NT and SA artists, presented at the Australian Experimental Art Foundation, Adelaide.

In Profile: Angus Cerini
In Profile: Angus Cerini

John Bailey talks to this award-winning playwright and performer about his take on masculinity, abuse and the relationships between violence and power.

In Profile: Julian Day
In Profile: Julian Day

Matthew Lorenzon discusses "making the invisible visible" with the multi-talented Julian Day.

Partner Art pt 2
Partner Art pt 2

This is the conclusion of our survey feature where we asked a number of art couples about their collaborative practices.

Contributor profile: Bernadette Ashley
Contributor profile: Bernadette Ashley

RT's visual arts and dance correspondent in Townsville on the extra level of appreciation that reviewing allows.

Contributor profile: Vicki Van Hout
Contributor profile: Vicki Van Hout

Independent choreographer Vicki Van Hout talks about her lifetime focus on interests outside that discipline, and affirming her cultural identity through her work.

BLOG: Partial Durations
BLOG: Partial Durations

News, reviews and discussion of New Music: A joint project between Matthew Lorenzon and RealTime.

banner captions

Banners: To the Moon, scanography portrait, Maitha Demithan, 2009, courtesy of the artist and Tashkeel. Kinesphere, Erin Coates, photo Alessandro Bianchetti. Hit Parade, Liquid Architecture 2014, photo Aksana Hugo Anastas. Silvia Gallerano, La Merda, photo Valeria Tomasulo.

Previous e-ditions

realtime 124 dec-jan 2014

Realtime 124 Cover

Editorial - RT124
2015: the bright maturing of a vision
Bigger than average performance anxieties
Adventures in collaboration

contents

cover

SCA MASTER OF MOVING IMAGE

realtimedance : RealTime's new portal to Australian dance opens our extensive dance archive back to 1994, profiles 12 leading Australian choreographers, features dance on screen and Realtime onsite at dance events.

dance highlights


gideon obarzanek: after glow
keith gallasch, chunky move’s gideon obarzanek, rt81
garry stewart: dance evolution in the age of robotics
erin brannigan, adt's devolution, rt71
lucy guerin: between temperature & temperament
jonathan marshall, rt52
rosalind crisp: a european future
erin brannigan, rt48
helen herbertson: the place where things slip
philipa rothfield, delirium, rt36
tess de quincey & stuart lynch: dancing the city
keith gallasch, compression 100, de quincey lynch, rt11

Cover: To the Moon, scanography portrait, Maitha Demithan, 2009, courtesy of the artist and Tashkeel. The 24-year-old Emirati artist Demitham takes photos of her family in everyday traditional dress and uses a small, flatbed A4 scanner to fragment and recompose the images in order to digitally enhance them, especially the colours, as well as play with two-dimensionality. She writes that the “pose, body language and particular scan quality also include an emotional statement,” (sarasist.org). Demithan’s scanographies feature in RECHARGE: Experimenta 6th Biennial of Media Art. See the interview with Artistic Director Jonathan Parsons (p5 in print).